Most likely in other reviews
you will find Rachel Dekker being compared to her father Ted Dekker, but not
here. Rachel Dekker is in a class all her own!
I guessed from the summery
given for the book that The Choosing would
be somewhat like the popular book series Divergent or Hunger games, and my assumption
wasn’t completely wrong, but this book rises far above the others
The choosing is a time for
celebration, for joy, at least for those who are chosen. The girls left without
a husband are to become part of the lowest ranks of their society, the Lints.
It’s hard for Clarington to believe she has failed to be chosen, and how she
will face a lifetime in the constant reminder that she was never enough.
As I began reading I wondered
what brought on Rachel’s idea to have the position of Lints for women only. Why
women? Why not men? What if a man never chose a bride? Is that even allowed? As
I read on more questions were answered, the big picture began to fall into
place like a well-laid game of Tetris.
Recently I’ve begun to take
notice that most female leads in fiction, even Christian fiction, are perfectly
beautiful. As an overweight girl myself I know I’m not pretty like most of
those women, making it hard to relate, and little frustrating when they go on
how they are not pretty. We all have our fears about not being pretty, but with
these characters all it takes is a touch of makeup, a pretty dress, and all
their insecurities are gone. Never to be seen again. So when I read The Choosing I expected this same sort
of Cinderella moment, my expectations were gladly dashed. Rachel let you know
how the characters and their surroundings looked in good detail, but it wasn’t
her main focus as I have found in many other books. Instead made focus on the
war raging on inside Carrington, not demolishing her insecurities with a single
blow.
I would like to personally
thank Rachel Dekker for writing this book, giving life to it that few authors
can. It gave me the boost I needed to keep writing my novel Hark, about an
overweight girl in the 1800’s trying to find love. I wasn’t sure that type of
book would ever be accepted in the publishing world, and even though Carrington
is by normal standards very pretty, Rachel did not make it all about physical
attraction. For that I thank her from the bottom of my heart.
Now, back to the review.
The day I received this book
in the mail I read over two hundred pages, that’s well over half the book in
less then twenty-four hours. I was so engrossed I could never seem to put the
book down for a second, even when my eyes begged for sleep. By the middle of
the second day I was finished. I wished to read it over and over again. And I
was so thankful that it was not left at a complete cliffhanger. Instead we are
left with a wonderful view the top of the cliff had to offer and the hope for
what is to come. I don’t know how my carpet will last with all my pacing
around, waiting for 2016 to come around so I can read the sequel. It’s going to
be a long year.
I meant it when I said Rachel Dekker was in a
class all her own. She brought into fiction what so many young men and women
struggle with on a daily basis. I would love to tell all of y’all more, but
this is a book I cannot spoil. It is too good for that. I urge all of you to
pick up a copy as soon as possible. With a message I believe everyone needs to
hear Rachel Dekker debuted with a book more then worthy of being called book of
the year.
I look forward comes next
from this up and rising author.
And here is a little something special from Tyndale publishing group, a Q&A with the author Rachel Dekker!
How did you come up with the story for The Choosing?
This is a hard question because it has many answers. I wanted to write a
theme-based novel about identity. I wanted to write a dystopian novel. I
wanted to write in a world that was familiar, but in a setting where I could
change the way the world worked. It actually is several ideas I’d been toying
with pulled into one story. Once I landed on Carrington’s core revelation and
story arc, I simply fell in love with her as a character and drew the rest of the
story around her. That’s usually how it works for me. I come up with a
character, good or bad, and create the story from there.
You based your main character, Carrington, off of your younger
sister. In what ways is Carrington like her?
It’s more the beliefs that Carrington struggles with that remind me of my sister. The idea of
worth, of not feeling like you’re enough, or questioning whether anyone would choose you.
Carrington came about as I spent time with my sister and her college-age friends and saw
that a large majority of them were searching for significance, searching for worth—none
more than my sister at the time.
Throughout the book, Carrington struggles with understanding her identity and
worth and what is true. Why did you decide to write about the theme of identity?
Someone once asked me, If you could leave one message for your younger sisters, what
would it be? The answer was always the same: I would pray they knew what they were
worth. Identity is everything. There isn’t a theme that doesn’t start with identity, or circle
back to identity. Knowing who you truly are is the greatest journey we face. Am I enough;
am I worth it? I believe everyone faces these questions, and I sought out to explore them
through this story.
One of the story’s most significant lines is, “Life is a journey of remembering and
forgetting.” What do you mean by this?
It means exactly what you probably think. We have these flashes of clarity where we see so
clearly who we are—and our connection to the Father—but then, in a single moment,
something pulls our attention away and we forget who we are. This is the journey of life,
remembering and forgetting. But I believe the more we remember, the more we set our gaze
on the Father, the less often we forget.
What do you hope readers will take away from the story?
I hope readers are filled with joy and power as they either realize for the first time who
their Father is and what they are really worth, or as they simply remember this truth.
What would you say to the person who is struggling, trying to find their identity in
temporary, unsatisfying places?
I would say we have all been there, and that those places will only serve as a prison in the
end. They may seem like happiness now, but eventually they will become suffering. But
that’s just part of the journey of identity. Some people need to learn the hard way—I did for
sure! I searched for significance in darkness and somehow the Father still led me to the
light. So when I see people going through what I did, I empathize, but also know that in a
single moment they can discover their true identity.
What is it like being Ted Dekker’s daughter? Did your father help you with the
writing process?
Being Ted’s daughter is wonderful! He’s the best, but then I hope many daughters feel that
way about their fathers. He is a bit of a mystery, though. Sometimes, even sitting at the
dinner table, I can tell he’s lost in thought, and I wonder what it might be like to have his
mind.
It’s been a blessing to watch him write and struggle with writing, so that now when I
struggle I have an understanding ear to talk off. He is always willing to talk me through the
emotional and mental side of writing (which is where the biggest battles lie in wait) but as
far as story, for the most part he lets me fend for myself. It’s always been important to me to
write through my challenges on my own. To figure out scenes alone. In fact, he didn’t even
read The Choosing until I was already in conversations with Tyndale about publication. I
think that’s because he wanted me to believe I could do it on my own.
But when I doubt my ability as a writer, and when I forget who I am, he is the one I call. And
he reminds me that life is a journey of remembering and forgetting, and helps me in
remembering once again
Until next time, may you have
a blessed day!
I received this book from the publisher for free an exchange for an honest review, which I have given
